Charlie and Stan slapstick homage riffs on the pair's clowning skills at Cambridge Arts Theatre
- Credit: Matt Crockett
Charlie and Stan has opened at Cambridge Arts Theatre. Angela Singer reviews the show.
This show is an homage to slapstick. The actors are gymnasts, rubber limbed, able to fall about elegantly. Those who like silent films may enjoy these recreations of the genre they cherish.
There is no real story. The programme for the production presented to us by Told by an Idiot, says: “We were determined to value fiction over fact, fantasy over reality, and shine a very unusual light on a pair of showbiz legends.”
The play is set on a ship. Chaplin and Laurel are on their way from England, where they were both born, to America, where they were to become international stars.
They were both in Fred Karno’s Circus. Laurel was Chaplin’s understudy and they arrived in the United States on the same ship with Karno’s troupe.
We see Karno as the ringmaster. But the play is without dialogue. It doesn’t explore the two stars’ ambitions or feelings. It doesn’t shine a light on their lives.
The play riffs on their clowning skills. Without an interval, it is some 90 minutes of exaggerated silent film-style gesture and people appearing from places you don’t expect.
- 1 Fire destroys family bungalow in the Fens
- 2 Shocks all round as police pull over 'white van man'
- 3 Cyclist stabbed in broad daylight attack
- 4 Man found dead in March
- 5 Daughters remember artist father who would ‘always be there’
- 6 Care home ‘requires improvement’ in five key areas
- 7 WATCH: Flying Scotsman steams through Cambridgeshire Fens
- 8 Yellow weather warning issued for Cambridgeshire
- 9 Driver leaves girl 'very shaken' after ploughing into car
- 10 Brother pays tribute to 'strongest character I've ever known'
Danielle Bird steals the show as Chaplin. She captures his walk and his facial expressions in a way that is poetry.
Jerone Marsh-Reid as Laurel gives a lithe and heart-warming performance. He creates a character that reaches out to you.
Nick Haverson as Karno energetically embodies the style of the silent screen as well as playing a mean set of drums.
A big mention must also go to Sara Alexander whose piano in silent film style (music composed by Zoe Rahman) evokes the atmosphere throughout the play.
There are strong performances here, but the pace was slow and possibly writer Paul Hunter, though showcasing genius missed a trick by not giving us even a glimpse of the humans behind the showmen.
Charlie and Stan is at Cambridge Arts Theatre until Saturday, September 25.